February 12, 2007 | 12:30 pm

Mary J. Blige’s Grammy Dresses: Which Do You Like Best?

Mary J. Blige is the undisputed diva of last night’s Grammys — from her eight nominations, four wins, two performances and four outfit changes! Mary entered the show in a goddess-style Michael Kors beaded gown and braided bun, which she wore until she changed into a cut-out sparkling white Armani gown to perform her massive hit, “Be Without You”. But when Mary performed “Runaway Love” with Ludacris, it was a whole new singer out on stage in a form-fitting red jumpsuit and 70’s style flip. She left her hair down and changed into a halter-neck white jersey Michael Kors gown to finish off her evening and pose with her awards. We love Mary no matter what she wears (as long as it isn’t fuzzy and yellow). Tell us: Which of Mary’s Grammy Looks did you like best? Goddess gown or white sparkler? Red jumpsuit or white halter?

Photo: Kevin Mazur/WireImage; Monty Brinton/cbs /Landov; Michael Caulfield/WireImage; Chris Polk/FilmMagic

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Alice

I love the first 2 but I don’t think the last one is very flattering on her.

Taylor

I loved the red jumpsuit look. I thought she looked absolutely stunning in that red number. Her hair was beautiful, she seemed more comfortable. I thought it was a very classy, sophisticated look for her.

Ashley J

Wow! I loved all the outfits. Mary was the true diva last night!

rachel b.

Just the first Goddess gown!

Nighthag

I love the 2nd the most but I do like the 1st one too. She looks amazing.

Mrs.Borrego

Mary looks beautiful in the Goddess-style Michael Kors beaded gown.

Nicole

I think she looks great! I especially like the 1st and the 3rd look…

lorelay

mary j. can´t have style even if she sells her soul to the devil for it. she just doesn´t understand the concept of class. bleah! a jumpsuit? for the red carpet? this is not texas!

Lauren

I liked the red jumpsuit and white halter on Mary last nite. She looked killer in those 2. Go Mary!!

ms. s

I love the white halter and the goddess gown on Mary.

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Edited by Melissa Liebling-Goldberg

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